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・ Kōhei Uchimura
・ Kōhoku Station
・ Kōhoku, Saga
・ Kōhoku-ku, Yokohama
・ Kōhō
・ Kōichi
・ Kōichi Hashimoto
・ Kōichi Iiboshi
・ Kōichi Iijima
・ Kōichi Isobe
・ Kōichi Kido
・ Kōichi Kitamura
・ Kōichi Mashimo
・ Kōichi Nagano
・ Kōichi Saitō
Kōichi Saitō (cinematographer)
・ Kōichi Saitō (film director)
・ Kōichi Saitō (photographer)
・ Kōichi Sakaguchi
・ Kōichi Satō (actor)
・ Kōichi Satō (footballer)
・ Kōichi Shiozawa
・ Kōichi Tabuchi
・ Kōichi Tokita
・ Kōichi Tōchika
・ Kōichi Yamadera
・ Kōichirō
・ Kōichirō Genba
・ Kōichirō Hoshino
・ Kōichirō Matsuura


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Kōichi Saitō (cinematographer) : ウィキペディア英語版
Kōichi Saitō (cinematographer)

is a Japanese cinematographer who has often worked with pink film directors Takahisa Zeze and Hisayasu Satō. Saitō also worked with all nearly every director of the post-Heavenly King generation at Kokuei studio.
In his ''Behind the Pink Curtain: The Complete History of Japanese Sex Cinema'', Jasper Sharp writes that Saitō is probably the best cinematographer currently working in the pink film genre.〔 He is most closely associated with the work of Takahisa Zeze,〔Sharp, p. 87.〕 and Sharp credits Saitō with helping the director bridge the gap between pink and mainstream film.〔 For his work in Zeze's , Saitō was given a special award for Best Cinematographer at the Pink Grand Prix.
Sharp judges that Saitō's work in Zeze's is his "crowning achievement".〔 In their review of Zeze's , cinematopics.com notes that the beautiful imagery captured by the cinematography of Zeze's "partner", Saitō, adds to the power of the work. ''Bashing'', a film Saitō photographed, was shown in the competition at the 2005 Cannes Film Festival.
==Notes==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Kōichi Saitō (cinematographer)」の詳細全文を読む



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